Unsupported Browser
The web browser that you are currently using is no longer supported, and as such features of this website may not work as expected. We advise you to update to a currently supported browser (such as Chrome, Edge, or Firefox) to improve your security, speed, and overall experience.
We currently have this product in stock and available for dispatch.
Stock Location
| UK Distribution Hub: | 1 |
"Get it" shows the next available date that we will be able to deliver this item to you on, depending on the delivery option you select, and the stock availability of anything else that you add to your shopping basket.
1-year warranty & 30-day money-back guarantee included
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Spread your payment with Klarna. No fees.
Shop now. Pay in 30 days with Klarna
Key Features
A faithful emulation of a vintage classic. That's exactly what the Warm Audio WA87 R2 FET Condenser Microphone provides you with. Based on one of the most legendary large diaphragm condensers of all-time, and improving upon their initial model. The WA87 R2 FET will rejuvenate your approach to both production and performance. With a stylish, streamlined design that boasts a shaped grille and reinforced metalwork, this microphone certainly looks the part. It oozes with high aesthetic appeal. Although it's important to note, this doesn't just look great. It sounds it too!
Thanks to the inclusion of three polar patterns, the WA87 R2 excels at any task your throw at it. Seriously, it's hard to make bad recordings with this in your locker. Whether it's positioned above drums and piano, or in-front of cabs or brass. Every instrument and voice will sound larger-than-life, with an impressive level of clarity. The WA-87 R2 comes complete with a stylish, premium wooden storage box, power-supply, shock-mount. Its rugged, durable design ensures it can withstand the vigors of live performance and continued use, which is just as well, as it'll never be in your mic locker for long!
Nearly New: This product may have been opened for quality control purposes, returned by a customer, refurbished, or may have non-essential parts or software missing. Otherwise, the product operates as new. This is a great opportunity to buy a fully functioning product at a discounted price.
Product Ref: 285202
Go and take a good look at photos of recording studios during the golden age of recording. From Abbey Road to Muscle Shoals, and AIR to Sunset Sounds. One of the main consistencies you'll see is the inclusion of U87s. Favoured over the 67 for it's solid state design, the 87 won the heart of many musicians, engineers, and producers, including David Gilmour, Kevin Parker, and Dido. Now, thanks to Warm Audio, you too can achieve the same level of quality at a price which doesn't break the bank.
That's the whole ethos of Warm Audio. This company care dearly for their customers and because of this, there's no second bests when it comes to sourcing components. The WA87 R2 comes complete with the most desirable parts, including NOS Fairchild transistors (yes, really), WIMA/Nichicon capacitors and the finest output transformer available on the market. Taking the emulation one-step beyond, the microphone also features a unique reproduction of the iconic K87 capsule that lived in the initial run of 87s.
Boasting three polar patterns, the WA87 R2 is a real work-horse;
Cardioid is excellent for delivering a tight-focused sound, whilst providing excellent off-axis rejection of around -6dB of unwanted noise and ambience. This is a great polar pattern to rely on when recording live performances, either on-stage, or, in-the-studio.
Fig of eight is an excellent pattern to choose when working in noisy environments. It allows you to capture sound from both the front and the rear of the capsule, whilst rejecting all unwanted ambience at the microphone's null points, the sides. This pattern has been a go-to trick for many producers recording two background vocalists at the same time. When paired with another fig.8 microphone and carefully positioned it can also work wonders on capturing vocals and guitar from a single performer simultaneously. However, beware. Utilising this positioning enhances close proximity effect which can lead to an unnatural amount of low-end being reproduced by the microphone. There's good reason why many radio broadcasters opt for this pattern!
When you want to capture natural recordings it doesn't get much better than omni. Omnidirectional means that sound is picked up by the capsule within a 360 degree radius. Selecting this pattern allows you to get up-close on sources without the risk of proximity effect being introduced. This is a favoured pattern for many Grammy award winning engineers and producers when recording multiple string and brass players. It can also make the "Levee Break" when used for drum room microphones!
